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with sssoul
My ring tone is this entire number. Gorgeous! Keith sings it so pretty
"Sit on my shoulder like a little bird"
The story goes that he wrote it in a brothel where he'd gone to spend a few days just to get away :E
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latebloomerQuote
with sssoul
My ring tone is this entire number. Gorgeous! Keith sings it so pretty
"Sit on my shoulder like a little bird"
The story goes that he wrote it in a brothel where he'd gone to spend a few days just to get away :E
Yes, he wrote about it in Life. I think he said he went there for...inspiration?
Whatever, doesn't matter, it's one heck of a song.
You know what I want to hear...
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RockingLonestar
And he dindn´t even touched one of the pretty little black girls ;-)
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MingSubu
Fantastic track!
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Voodookitten76
One of my favorite Keith songs. Put it on in the car all the time.
It is interesting that Mick isn't on this track, and I wonder if Keith isn't addressing Mick here, like, "C'mon, just tell me we're still best friends. You don't have to mean it."
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Hairball
Charlie's drumming is a bit too up front and lacking vibe which makes the tune a bit generic and sterile. Partial production problem, but also the way he plays it.
Too much 'oom-pah' whereas he could have reversed the beat, maybe slowed it down, and added a few little fills in between would have helped.
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DandelionPowderman
Lovely song. However, the production - as with many B2B tracks - is a bit sterile.
Just love those horns and Keith's vocals. There are less prominent guitars and more straightforward drums than on other Stones reggae tracks here.
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DandelionPowderman
Lovely song. However, the production - as with many B2B tracks - is a bit sterile.
Just love those horns and Keith's vocals. There are less prominent guitars and more straightforward drums than on other Stones reggae tracks here.
What I like about B2B is the production, they've certainly had more sterile releases.
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24FPSQuote
Hairball
Charlie's drumming is a bit too up front and lacking vibe which makes the tune a bit generic and sterile. Partial production problem, but also the way he plays it.
Too much 'oom-pah' whereas he could have reversed the beat, maybe slowed it down, and added a few little fills in between would have helped.
Jeez, talk about nitpicking. This is a drummer (with Wyman) who artfully adapted to a multitude of styles from blues to psychedelia to disco.
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RockingLonestar
And he dindn´t even touched one of the pretty little black girls ;-)
Of course he did not. He´s married.
The song is a highlight on B2B, one of their most uneven albums ever. One of Keith´s nicest reggae attempts. Sooner or later GasLightStreet will come by and tell us that the song isn´t reggae but to me it is, it has a warm and sunny island-feeling. Best Keith-song on the album, no doubt. His next solo-album - which will be released in 2036 - should be a reggae-album.