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DandelionPowderman
Yes, it did. And he had to stand beside Charlie and visually show it to him while Charlie recorded it.
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His MajestyQuote
DandelionPowderman
Yes, it did. And he had to stand beside Charlie and visually show it to him while Charlie recorded it.
This changed the rhythm of the vocal melody?
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DandelionPowdermanQuote
His MajestyQuote
DandelionPowderman
Yes, it did. And he had to stand beside Charlie and visually show it to him while Charlie recorded it.
This changed the rhythm of the vocal melody?
Bobby changed the rhythm.
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His MajestyQuote
DandelionPowdermanQuote
His MajestyQuote
DandelionPowderman
Yes, it did. And he had to stand beside Charlie and visually show it to him while Charlie recorded it.
This changed the rhythm of the vocal melody?
Bobby changed the rhythm.
Did this result in a change to the rhythm of the vocal melody? IF it did, and with business shit aside, he contributed to the writing of the song.
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DandelionPowderman
The melody can remain the same, even though the rhythm of it changes. The groove of the melody can be altered, but if you hum the melody it will remain as it was written, only with a new rhythm.
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marcovandereijkQuote
DandelionPowderman
The melody can remain the same, even though the rhythm of it changes. The groove of the melody can be altered, but if you hum the melody it will remain as it was written, only with a new rhythm.
Check out these examples: music arrangements
No matter if the melody stays the same, a different song is the result (to my ears).
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DandelionPowderman
That we don't know. And it isn't as black and white as you present it to be, either.
The melody can remain the same, even though the rhythm of it changes. The groove of the melody can be altered, but if you hum the melody it will remain as it was written, only with a new rhythm.
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DandelionPowderman
When the Stones played Time Is On My Side in 1981 and 1982, they played a new arrangement, not a new song.
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DandelionPowderman
What do you do when you're NOT bowing out of a discussion?
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His MajestyQuote
DandelionPowderman
What do you do when you're NOT bowing out of a discussion?
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Hairball
Not very Stonesy sounding and a bit awkward songwriting, but the backing track/instrumentation and backup vocals are somewhat interesting considering the period in time.
I imagine Hermans Hermits reworking it with a string section and having a minor hit with this.
Or Tom Jones rocking it up and belting it out in his over the top style...
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Turner68
I always liked this song.
However it's not an important enough song in their catalog to get hung up on who wrote what IMO.
;-)
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Swayed1967
Yes, the whole album is unstonesy but this cut more than the others. This is Mick sounding like the pop star he would’ve become had Keith never been born (although I’m sure Keith’s fingerprints are on YP somewhere).
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stanlove
Awful song from an awful album.
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Monsoon Ragoon
BTB maybe the worst album. But YP is great, especially version I.
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peoplewitheyes
who sings those great vocal back ups (´pay - puhs!´) ?
er, no one knows? Is it so obviously Keith? (Doesnt sound at all like him to my not-that-au-fait-with-mid-60s-Stones ears)
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hopkins
Love the track. Love that entire album. Don't know why it's denigrated. Song list and performances and writing all of it really satisfying. Miss Amanda Jones, My Obsession, All Sold Out, Connection, Ruby Tuesday, Back Street Girl, Let's Spend The Night Together etc...fine fine songs. I'm only familiar with the U.S. release. I had loved Aftermath which came right before this and when BTB came out it was, and remains, inspiring and welcome. I rate the entire album very high and very much love it to this day. I'm well aware it's mostly just something that people are derisive and dismissive about on IORR; matters not. I like every song. Nitzsche on keys!