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DaveG
71Tele, you beat me to it!! That's the first thing I thought of upon reading the thread title.
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Mel Belli
When Keith became a serious junkie, songs written completely by Mick became a lot more prevalent. If you go album by album from about 1973 on, there are far, far more totally-Mick songs than totally-Keith.
Mick started to come into his own as rhythm guitar player by the BB/LIB sessions. On Sticky Fingers, he wrote Brown Sugar, Sway, Got the Blues, Dead Flowers, Moonlight Mile, Sister Morphine. A high water mark for Mick's writing.
Exile was pretty Keith-y, under the circumstances, but even there: Mick did Torn & Frayed and Shine A Light.
On Goats Head Soup: 100 Years, Hide Your Love, Winter, Star Star.
IORR: title track co-written (sorta) with Ronnie. Mostly Mick. Till the Next Goodbye. Really Want to be My Friend. Fingerprint File. Probably Short and Curlies, too. Not sure.
Black and Blue: Memory Motel, Melody (Mick w/ Billy Preston), Fool to Cry, and Crazy Mama.
Some Girls: *Very* Mick-dominant. Keith contributed only to the last three (and, to be sure, they were good ones).
ER: Title track. Summer Romance. Indian Girl. Could be others. Not sure.
Tattoo You: Neighbors. Worried About You. Heaven. Waiting on a Friend seems like a Mick tune, but not 100% sure.
I could go on ...
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DaveG
71Tele, you beat me to it!! That's the first thing I thought of upon reading the thread title.
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SomeTorontoGirl
Don't you guys go all Manilow on me here!
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stoneheartedQuote
DaveG
71Tele, you beat me to it!! That's the first thing I thought of upon reading the thread title.
You beat me to saying "You beat me to it!"!
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DaveGQuote
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DaveG
71Tele, you beat me to it!! That's the first thing I thought of upon reading the thread title.
You beat me to saying "You beat me to it!"!
stonehearted, you have to get up pretty early in the morning to beat me to saying that you beat me to it.
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stonehearted
<<And Barry Manilow didn't with I Write the Songs. Bruce Johnston did.>>
I'm totally shattered to be informed of this.
Next thing you're going to say is that Barry really can smile without you, that he hasn't made it through the rain, and that it looks like wemadedidn't make it. No point in tryin' to get the feeling again, without the old songs--that he didn't even write.
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with sssoul
Hm well that's Mel Belli's view!
STG, when timeisonourside.com is back on line, check out their pages about the songwriting -
it's the best piece I know of about this intriguing subject and the way the Glimmers have kept us guessing over the decades.
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71Tele
He did:
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big4Quote
with sssoul
Hm well that's Mel Belli's view!
STG, when timeisonourside.com is back on line, check out their pages about the songwriting -
it's the best piece I know of about this intriguing subject and the way the Glimmers have kept us guessing over the decades.
I think an example of this is in a latter day song is "Too Tight". It sounds like Keith had the "Too Tight" hook and chorus, then Mick wrote the verses. The listener might think it's a Mick song since he is singing it but the groove and feel of the song has Keith's signature all through it, including backing vocals.
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jazzbassQuote
71Tele
He did:
Actually he didn't. Google Bruce Johnston.
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71TeleQuote
jazzbassQuote
71Tele
He did:
Actually he didn't. Google Bruce Johnston.
I know, hence the irony.
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with sssoul
Ian McPherson's site is back up - I really really really recommend his piece on the Glimmer Twins' songwriting: [www.timeisonourside.com]
The short form is we don't know unless the Glimmers tell us, which they barely ever do.
One of my favourite questions is which songs (besides Party Doll) Mick wrote for Keith to sing.
Everyone knows Keith writes stuff for the Mick to sing, but what about the reverse?
(And yes, I'm serious about Party Doll!)