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georgelicksQuote
keefriffhardsQuote
georgelicksQuote
NaturalustQuote
MaindefenderQuote
DandelionPowdermanQuote
Turner68Quote
DandelionPowdermanQuote
Bashlets
yes, 15 really great songs. To me nothing stands out as the one killer track. Its an album that should be listened to as a whole. A real treat in this day and age.
I must say that Suspicious stands out for me. It's so beautiful.
i still love everything but "just a gift" which just doesn't challenge or surprise me.
suspicious is indeed one of the stronger songs.
I came into the most popular record store in Oslo a couple of days ago, and they played Suspicious. That felt good
Suspicious should be the next single. It may surprise a few listeners who assume Keith is a one trick pony.
The next single? You guys make me laugh. The record is released, all the cards are on the table mate, there will be no more "singles" from the album. Do you think they will actually try to market and promote single songs now and that one will now miraculously rise up the singles chart because it is now being discovered through more radio play or something? Every song is available as a single through iTunes, the only "single" releases from the album were the ones done before the record was released, I can imagine any songs from the record achieving anything close to single status, Trouble is as close as you're going to get.
Sad but true, but they can release a second promo single just to get a bit of airplay on Triple A radio, the only format that plays new songs from 50+ years old acts, Trouble reached #20 there.
It won't help the sales, but a bit of airplay is better than nothing.
The only song that could get any airplay on Triple A is Substantial Damage, with a good radio edit or even a funky remix it will get airplay for sure, its the most modern sound on the album.
But as you said, it seems that all the promo for the record is done.
I just wondered what your thoughts are, if Keith were to release Illusion as a single
He sang a duet with Norah ( Love Hurts ) and it got millions of watches and positive comments on you tube. Do you think georgelicks that it could be a game changer for album sales with Norah Jones on the next single ??
Thanks for any response
Norah Jones' time has passed, he's not hot as 10-12 years ago and her last album tanked.
Sadly no much stuff on the album could sound on the radio right now, and almost 99% of the radio market will not play new songs from 70+ years old acts.
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Tim2
I bought this great album on vinyl, because I love vinyl. But why the hell do they keep up pressing on stupid 180g+ weigth? This does not sound better, this is not more solid, this is just an economic waste (freit, vinyl...) and this only can cause seam splits in transit.
Moreover, the quality of this vinyl is crappy: mint does not seem to exist anymore. Once put out of its sleeve (no antistatic sleeve), it's got slight scuffs and shades already, no wonder I can hear pops here and there on the first listening as if it was the 10th...
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NaturalustQuote
Tim2
I bought this great album on vinyl, because I love vinyl. But why the hell do they keep up pressing on stupid 180g+ weigth? This does not sound better, this is not more solid, this is just an economic waste (freit, vinyl...) and this only can cause seam splits in transit.
Moreover, the quality of this vinyl is crappy: mint does not seem to exist anymore. Once put out of its sleeve (no antistatic sleeve), it's got slight scuffs and shades already, no wonder I can hear pops here and there on the first listening as if it was the 10th...
Yes as you probably know, it's kind of a farce to assume 180 is sonically better. Unless it was made with virgin vinyl with no recycled plastics I'm pretty sure the only real benefits are that it's less likely to warp and it feels heavier in the hand... kind of implying to got more for your money. I'm a bit surprised you got a scuffed record with pops right out of the sleeve though.
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keefriffhardsQuote
NaturalustQuote
Tim2
I bought this great album on vinyl, because I love vinyl. But why the hell do they keep up pressing on stupid 180g+ weigth? This does not sound better, this is not more solid, this is just an economic waste (freit, vinyl...) and this only can cause seam splits in transit.
Moreover, the quality of this vinyl is crappy: mint does not seem to exist anymore. Once put out of its sleeve (no antistatic sleeve), it's got slight scuffs and shades already, no wonder I can hear pops here and there on the first listening as if it was the 10th...
Yes as you probably know, it's kind of a farce to assume 180 is sonically better. Unless it was made with virgin vinyl with no recycled plastics I'm pretty sure the only real benefits are that it's less likely to warp and it feels heavier in the hand... kind of implying to got more for your money. I'm a bit surprised you got a scuffed record with pops right out of the sleeve though.
Those cracks and pops are are part of the charm of vinyl, i love that lived in sound that comes from old records
Just got my old 45's out yesterday, Spider to the Fly, Get off Of My Cloud, boy i love that old worn out sound
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HMSQuote
keefriffhardsQuote
NaturalustQuote
Tim2
I bought this great album on vinyl, because I love vinyl. But why the hell do they keep up pressing on stupid 180g+ weigth? This does not sound better, this is not more solid, this is just an economic waste (freit, vinyl...) and this only can cause seam splits in transit.
Moreover, the quality of this vinyl is crappy: mint does not seem to exist anymore. Once put out of its sleeve (no antistatic sleeve), it's got slight scuffs and shades already, no wonder I can hear pops here and there on the first listening as if it was the 10th...
Yes as you probably know, it's kind of a farce to assume 180 is sonically better. Unless it was made with virgin vinyl with no recycled plastics I'm pretty sure the only real benefits are that it's less likely to warp and it feels heavier in the hand... kind of implying to got more for your money. I'm a bit surprised you got a scuffed record with pops right out of the sleeve though.
Those cracks and pops are are part of the charm of vinyl, i love that lived in sound that comes from old records
Just got my old 45's out yesterday, Spider to the Fly, Get off Of My Cloud, boy i love that old worn out sound
Any LP I ever bought had same pops and cracks even when played for the first time. A few can be tolerated, its part of the game.
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keefriffhardsQuote
HMSQuote
keefriffhardsQuote
NaturalustQuote
Tim2
I bought this great album on vinyl, because I love vinyl. But why the hell do they keep up pressing on stupid 180g+ weigth? This does not sound better, this is not more solid, this is just an economic waste (freit, vinyl...) and this only can cause seam splits in transit.
Moreover, the quality of this vinyl is crappy: mint does not seem to exist anymore. Once put out of its sleeve (no antistatic sleeve), it's got slight scuffs and shades already, no wonder I can hear pops here and there on the first listening as if it was the 10th...
Yes as you probably know, it's kind of a farce to assume 180 is sonically better. Unless it was made with virgin vinyl with no recycled plastics I'm pretty sure the only real benefits are that it's less likely to warp and it feels heavier in the hand... kind of implying to got more for your money. I'm a bit surprised you got a scuffed record with pops right out of the sleeve though.
Those cracks and pops are are part of the charm of vinyl, i love that lived in sound that comes from old records
Just got my old 45's out yesterday, Spider to the Fly, Get off Of My Cloud, boy i love that old worn out sound
Any LP I ever bought had same pops and cracks even when played for the first time. A few can be tolerated, its part of the game.
I once got paralytic pissed and fell asleep with my stereo on really loud, the needle got stuck on 'the hand of fate' all night, over and over, the hand of fate, in the morning my land lord asked me to leave lol No amount of banging on my door could wake me, so i kept the whole block of 6 flats up all night.
Bummer
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35love
Hello friend, poster of fresh incredible pictures. I could be wrong, but the new issue of Rolling Stone magazine with Keith Richards was just released today (Oct. 7) and it's a 19 page spread! NOT all posted here.
I know this, because after driving around this Podunk town I live in with no hard copies whatsoever, I ended up buying this October 7, 2015 single issue of RS magazine for $4.99 on my iPad.
Have not indulged in it yet (but took page count for you) waiting for peace and alone time.
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35love
I am quite sure Rolling Stone magazine needs to make money, which is why you must pay to see all of the current KR information/interview/ pics in RS Oct. 7 magazine. In a glance, it is a lot more than the exerpts posted. Is it worth the price with all the free interviews of Keith as of late? For me yes. I'm a cheap date. Cheers to the weekend.
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Cristiano RadtkeQuote
35love
I am quite sure Rolling Stone magazine needs to make money, which is why you must pay to see all of the current KR information/interview/ pics in RS Oct. 7 magazine. In a glance, it is a lot more than the exerpts posted. Is it worth the price with all the free interviews of Keith as of late? For me yes. I'm a cheap date. Cheers to the weekend.
OK, thanks for the info.
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latebloomerQuote
Cristiano RadtkeQuote
35love
I am quite sure Rolling Stone magazine needs to make money, which is why you must pay to see all of the current KR information/interview/ pics in RS Oct. 7 magazine. In a glance, it is a lot more than the exerpts posted. Is it worth the price with all the free interviews of Keith as of late? For me yes. I'm a cheap date. Cheers to the weekend.
OK, thanks for the info.
It'll turn up here soon enough.
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DandelionPowderman
The mic captured him breathing through his nose on the title track. Classic!
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Green Lady
I think the main promotion is done, and nothing now is going to generate chart-busting sales. But Illusion would make a nice single (or at any rate a decent YouTube video of it would be attractive). But if the people saying that the record company will have lost money on this album are right, nobody is likely to provide any budget for further promo.
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DeanGoodman
Remember how cool it was when Primitive Radio Gods sampled BB King? Or when Pet Shop Boys dug up Dusty Springfield?
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Hairball
Just kidding around DeanGoodman, but I've never heard of Primitive Radio Gods - perhaps I'll look them up.
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Hairball
As for Pet Shop Boys, haven't heard much from them since c.'85.
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NaturalustQuote
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Turner68
the "rolling stone" interview with keith was posted.
it hardly touches on "crosseyed heart". kind of a bummer.
[www.rollingstone.com]
Thank you!
Yes thanks Turner! That was an interesting read.
Zeppelin was manufactured by Peter Grant? Ha! Pretty sure Page, Jones and Plant would disagree with that one (so do I).
Roger Daltry was all flash? I guess Keith never listened to Who's Next very much.
Like Jimmy Page you get the distinct impression that Keith is his biggest fan. lol
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swimtothemoonQuote
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Turner68
the "rolling stone" interview with keith was posted.
it hardly touches on "crosseyed heart". kind of a bummer.
[www.rollingstone.com]
Thank you!
Yes thanks Turner! That was an interesting read.
Zeppelin was manufactured by Peter Grant? Ha! Pretty sure Page, Jones and Plant would disagree with that one (so do I).
Roger Daltry was all flash? I guess Keith never listened to Who's Next very much.
Like Jimmy Page you get the distinct impression that Keith is his biggest fan. lol
Unfortunately I haven't read the interview yet; however, not sure what Keith is baseing this Daltry comment on - "all flash" just doesn't fit the description of
Roger. I suspect writers must bate Kieth in order to get some of these comments
from him. Similar to the Sgt. Pepper is rubbish comment. His opinions seem to be very black or white without much wiggle room in between.
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swimtothemoonQuote
NaturalustQuote
Cristiano RadtkeQuote
Turner68
the "rolling stone" interview with keith was posted.
it hardly touches on "crosseyed heart". kind of a bummer.
[www.rollingstone.com]
Thank you!
Yes thanks Turner! That was an interesting read.
Zeppelin was manufactured by Peter Grant? Ha! Pretty sure Page, Jones and Plant would disagree with that one (so do I).
Roger Daltry was all flash? I guess Keith never listened to Who's Next very much.
Like Jimmy Page you get the distinct impression that Keith is his biggest fan. lol
Unfortunately I haven't read the interview yet; however, not sure what Keith is baseing this Daltry comment on - "all flash" just doesn't fit the description of
Roger. I suspect writers must bate Kieth in order to get some of these comments
from him. Similar to the Sgt. Pepper is rubbish comment. His opinions seem to be very black or white without much wiggle room in between.
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DandelionPowdermanQuote
HairballQuote
DandelionPowderman
The mic captured him breathing through his nose on the title track. Classic!
Sounds like a quick snore a few seconds into Just a Gift. lol seriously.
And an exhale at very beginning? Don't have album currently playing so not sure about that one...
Indeed! But I think the "duh" in the beginning of JAG is deliberate, like "ok, roll" on Robbed Blind.
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Green LadyQuote
DandelionPowderman
Indeed! But I think the "duh" in the beginning of JAG is deliberate, like "ok, roll" on Robbed Blind.
The exhale sounds to me like it might have been accompanied by a cloud of cigarette smoke.
Much of Crosseyed Heart is very close-miked and you can hear every breath - which gives a lovely intimate feel to the ballads.