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with sssoul
>> that slick, contemporary groove <<
yeah - it stays right in character, and you can dance to it :E
>> which camp does this one come from? I've always considered it to be a fairly joint MJ/KR composition <<
i've read people here saying it's a Mick number, but it sounds like a collaboration to me too
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Edith Grove
"I taught her everything, but now she's obsolete" is a real step up from "Stupid Girl."
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24FPS
One of the few cuts I liked off this one. Keith's contributions seem minimal on the entire album. Still, it's so difficult for me to listen to post Wyman studio work. I keep hearing where Bill would have transformed the sound with just a few notes here and there. So sad. And they just don't get, or care, how important their bass sound is in the studio. Can someone suggest a good Daryl Jones jazz track with Miles Davis, or someone else? Because he lacks the presence the Stones demand as a rock bassist. That's the main reason I don't expect a lot from them in the studio ever again. The bottom is gone.
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with sssoul
Keith does play on Gunface, i believe - but here's a Mick quote to back you up about the writing of it:
I had written a lot of songs coming into this project ... I'd written them and they were all finished and completed.
... (I wrote) Anybody Seen My Baby, Saint of Me... Gunface, Out of Control, Might as Well Get Juiced.
- Mick Jagger, 1997, quoted on [www.timeisonourside.com]