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***Today
liddas
I hope not. PPV = too many (unwelcome) guests C
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***Today
liddas
Based on today's discussions I can safely declare that one between me and Mr. 24FPS have ears that just don't work ... C
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***Yesterday
liddas
Quote24FPS QuoteDoomandGloom Chuck was terrific on both as was Darrell. Can someone explain to me what 'terrific' thing Darryl does? He never seems to get his shoulder into the music. I would say he spends his time trying to not intrude or impose. For the life of me I can't figure out what he's doing up there with this great cast of musicians. He kind of lays down some bass, but it's not partic
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***Yesterday
liddas
Quotesvt22 I'm not nuts. No, he doesn't shine musical wise.. He's a shade of his former self. I'm too much of a Taylor fan, I'm too familiar with his playing to deny it. But to see him shining and having fun as a guitarist on stage, that's great, but something completely different. Gotta say that I kind of agree with you, to a certain extent. What goes far beyond the technical aspect is
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***Yesterday
liddas
Superb! C
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***Yesterday
liddas
QuoteEdward Twining QuoteDandelionPowderman <in terms of the quality of the writing, arranging, production etc. UNDERCOVER ranks as one of the Stones most underwhelming efforts> By whom? The critics praised the album when it came out - mainly. The fans enjoy many of the songs on it, and it usually is topping the list of "latter day Stones-albums". UNDERCOVER does have a re
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***Yesterday
liddas
QuoteDandelionPowderman I'm pretty sure We Had It All is untouched. I'd guess Claudine too. C
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***Yesterday
liddas
Back to undercover! Remember buying the LP in LA and not being able to listen to it until I was back in Italy a month later. Quite frustrating! The only thing that I don't like is the flow of the songs. The last 3 in particular individually are great, but having a more traditional sound all grouped up at he end always seemed out of contexts. But it's details. This is an album with hu
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***Yesterday
liddas
QuoteDandelionPowderman Quoteliddas Can someone address me to the thread (if there is one) with the detail of all postproduction/overdubs etc. on Some Girls bonus disc? Thank you! C Don't remember the thread, but there is some valuable info here, I believe: Thanks, not much unfortunately. Was interested in knowing if there are any that are 100% "unadulterated" by vocal or
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***Yesterday
liddas
Can someone address me to the thread (if there is one) with the detail of all postproduction/overdubs etc. on Some Girls bonus disc? Thank you! C
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***Yesterday
liddas
QuoteSilver Dagger Has this been released on CD, vinyl or download format? I know it was on the Four Flicks DVD set??? Anyway, a nice excursion into lounge land that like maradona above noted, worked well at theatre level but not in the big stadiums. I guess Keith unearthed it in memory of his old man. Live licks, cd 2 C
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***Yesterday
liddas
I think that all the threads started by that DVD guy have been deleted C
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2 ***days ***ago
liddas
Never liked the idea of guest spots in general. But if you have to have them, let the guest be himself, otherwise don't call him. I mean, what's the use in asking Clapton or Lady Gaga or god knows who to guest if they are not allowed to do their thing? FF are not exactly my cup of tea, but who cares: Dave Grohl seems to be a nice guy. In his autobiography Stewart Copeland former drummer of
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5 ***days ***ago
liddas
Devil is the only song where the KB are prominent. In all other cases, the stones remain a guitar driven band. As for why they don't use a real piano, this is the obvious question that is never asked to CL in the 1,000 interviews he gives every year. C
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5 ***days ***ago
liddas
Fanny is good, but it never over excited me. The true highlights are If you let me, I don't know why and Memo. C
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7 ***days ***ago
liddas
Poor sales of Undercover confirm my suspects that the average Stones fan have very bad taste in music C
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7 ***days ***ago
liddas
One hell of a show!!! One Hit (to the Body) Slave Let Me Go Send It to Me Where the Boys Go She's So Cold Harlem Shuffle Dirty Work Keith set -------- Wanna Hold You / Little T&A / Too Rude All About You / Sleep Tonight -------- Feel on Baby / Down in the Hole Worried About You Black Limousine Had It with You Tie You Up Dance Everything Is Turning to Gold E
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8 ***days ***ago
liddas
The look in Mick's eyes when he sings the "All I want is you to make love to me" line ... C
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7 ***days ***ago
liddas
Gallon of beer at the closest pub C
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8 ***days ***ago
liddas
Re: emotional rescue, I was playing along it with the bass the other day - Ronnie truly nailed a great bass line there - The opening riff just makes the song and such distinctive bass riffs are rare even among the established great bass players. Always loved both the song and the whole LP. C
Forum: Tell Me
9 ***days ***ago
liddas
Best version is the studio. Close second the best 75 versions (LYL is one of them) - wild! Of the rest of the world, interesting how the song developed during the 69 tour. I like the first idea (Hyde Park). Ya Ya's version is, of course great (but the energy is not close to the 75 version, I think mainly because in 69 devil was too early in the set while in 75 it was the grand finale) Since
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12 ***days ***ago
liddas
Most of the posts above miss the point I was trying to make. No argument will ever convince me that the 72/73 verion of the band was "musically" better (or worse) than the band that followed. Deep down it is only a matter of taste. I like this, you like that. Besides, the shows were always consistently great. Sold out venues and enthusiastic fans all the time. In one way or the ot
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12 ***days ***ago
liddas
There is a sort of general consensus that MT's years with the Stones were the golden era of the band. If you ask me, if there ever was a golden era, it started with Satisfaction and ended with the death of Brian Jones. Actually the Hyde park concert sealed the end of the Golden era and the beginning of the Vegas Era. This has nothing to do with the musical consistency of the band. All the
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12 ***days ***ago
liddas
Love it for what it is. The only purpose of the release was to exploit what was left of the band as much as possible. There are moments of pure brilliance: black arabs, Anarchy in French, My Way etc. C
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13 ***days ***ago
liddas
Today, probably 1) Tattoo You 2) Undercover 3) Some Girls 4) Now (US) 5) Exile 6) Banquet 7) B&B C
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13 ***days ***ago
liddas
I'm happy MT was asked to play Satisfaction and not Expectation. Satisfaction is now developed in a sort of guitar jam, and allows more space to MT's improvisation. The solo on Expectation needs to be CONCISE, otherwise the song is dead. Sort of like flooding a pasta with too much sauce. I am sure that MT can be concise, but what's the use of burning his second slot with only a few seconds of
Forum: Tell Me
15 ***days ***ago
liddas
OK, fair enough, it ain't exactly fluid or melodic, but I truly love this solo. It has something. The tone, the dissonances, it just sticks in my mind. Usually I get around it playing some odd solo in b major pentatonic, but every time I do so, something is missing! So yesterday I tried to understand what to do. As I said, I'm close, but can't nail it. That is to say, I'm miles away ... C
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15 ***days ***ago
liddas
The very first part of it. Can't nail it. I'm close, but something's missing. Something wrong with the voicing of the chords. Effects? Help any one? C
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16 ***days ***ago
liddas
Quotewith sssoul Why in the world did he leave out all mention of how Allen Klein ripped the band off? In the commentary on the disk he said the aim was to present the band's history as an archetypal "hero myth" so it makes no (0) sense to leave out one of the hardest tribulations they went through and (well nigh miraculously) emerged from. Even if it was a case of the band saying &
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