This reads like a college English class essay.
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Keep up the good work!
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The More Hot Rocks CD version is mono
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Quotesilkcut1978_ not quite right - "Collector's Only" from 1980 (German and French release) had "I've Been Loving You" for the first time without the audience overdubs - see here: I stand corrected. Thanks for the update.
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Quoteblakeeik nick, that looks essentially correct - here is what I put together: Thank you for your hard work-very well done!! a note: regarding your "Hot Rocks" page-"I've Been Loving You Too Long" was first released without audience overdubs on the 4 LP German Decca box The Rest Of The Best and that was in mono. The version found as a bonus CD track on the 2002 M
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Quotenick The 2002 Abkco remasters have released the songs in their original mono and/or stereo formats. Your petition is pointless. Everybody Needs Somebody to Love has never been released in stereo on any CD. The 'long' version-released originally on The Rolling Stones No. 2-was released in stereo on an English single in the 1970's and on the Decca compilation LP "Rock And Rolling Ston
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The hotel room version from GIMME SHELTER...too bad it is incomplete
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thanks for posting this fascinating stuff!
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Truly one for the ages. For a song this beautiful, ethereal and poignant in its simplicity to come out of the chaos, confusion and controversy of the Stones 1969 yearbook is all the more amazing. The first time I heard it was when I saw GIMME SHELTER in December 1970. I was mesmerized from the moment I heard it and waited anxiously for its official release the following spring. Was somewha
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Thanks for posting this!
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A number of years ago, I had business which frequently took me to the Polygram tape library which was (and perhaps still is) in Edison, New Jersey. Once, while dropping off some tapes there, I had a chat with Bill Levenson, who was in charge of Polygram's reissue program at the time. He was in the process of putting together the Cream box set "Those Were The Days". I asked him how
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great pics! thanks so much for sharing!
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from my personal collection Ulta Rare Trax Vol 1-6 Silver discs (The Genuine Pig TGP CD 101-106) USD 75.00 for the lot. contact me for info thkbeercan@yahoo.com
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Betamax tapes Video Rewind (Vestron Video) & Let's Spend The Night Together (Embassy Home Entertainment) Make an offer. These are NTSC format-VG/Excellent condition. Payment via paypal. thkbeercan@yahoo.com
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thank you, kindly...
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Indian Girl
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The ghost vocal, audible on the record, is still audible in this voice-over video clip....
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looks like a pirate version of Hot Rocks, probably from somewhere in Asia
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They took the track from the "Got LIVE If You Want It" EP (which was recorded in England) and edited footage from an Irish show to the track. The editing was done very well, not perfectly however, since in a case such as this it is nearly impossible to combine two different sources, one visual and one audio, and 'fool' the viewer. Sadly, I fear much of the live footage from this 'lo
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I'll have to dig out the article, written by Lester Bangs, in which he mentions the ticket prices as well as referring to the Stones as 'the smelliest farts of them all'... I believe the top price was $100, maybe even $500...
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I know it was for charity and I know it was almost 40 years ago... But if my memory serves me well, adjusted for inflation, I believe these were the most expensive Stones tickets ever
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The 30th Anniversary 3CD boxed set contains an excellent stereo alternate take of AWSOP. The set also includes a mono instrumental version of the master take. There is an out-fake version in stereo at this address:
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QuoteBlueranger Interesting discussion. Any insights from thkbeercan regarding the relationship these days between Abkco and the Stones? And how about each others rights using songs before and after 1971? A lot of what I might say in response to your question is conjecture. Some is based on experience. I worked for Mobile Fidelity Sound Lab for 20 years and was involved with the company w
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ABKCO held the publishing rights to these songs since they were 'written' or creatively conceived during the time of the Stones' legal involvement with ABKCO's management. However, since the final versions of these songs were not published until after the Stones and Klein parted ways, the performance (the ownership of the actual recorded versions as heard on record) rights of these songs belong
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I used to own this record, way back in the early 1970's. It wasn't all that bad, but was incomplete. I seem to remember that it did include some stage announcements and stage banter not found on other recordings...
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QuoteThe Menace of Mayfair There was a link posted on this site w/in the last year that contained the Stones' set up through 'Stray Cat Blues.' It combined front-of-the-stage sound w/the resounding echo off the hill. It is the most frightening audio document I have ever heard. If it's not the same audience tapes that have been around for years, I'd like to hear that one....
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what a fright!
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Quoteduke richardson this article is very self serving, yes Exile is a great album, but lots of bands made records that way..the Allman Brothers for one... set up and play in a house, get some grooves going, develop songs from that, all the while having a continuous party...not unique to Exile or the Stones. Greenfield's STP book was good but this article is histrionic. I couldn't agree
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Say what you will about the article, (whatever the author's personal feelings are), it IS well written and MOST importantly, he successfully avoided including that overused and almost meaningless word 'iconic' which seems to be mandatory these days in any written piece about anyone who is even remotely recognizable... Bravo for that!
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laserdisc
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