Alright, this thread is long like the list of the loans of Africa, but I add my impressions of the new songs here (thanks STONESVIKINGS for that).
I listened the songs maybe five times yesterday and gave them a new listening this morning to get some fresh perspective. And let me first (this is going to be a long review) say the over-impression now: both songs seem to grown on me, and that's a good sign. There is absolutely nothing new under the sun, but I think that is just a good sign. Do we really wanted hear something 'totally different' in this stage of the Stones? No. They just sound so goddamn like themselves, and I love it!
----
"Street Of Love": like many here I was also disappointed when I hear it first time; the melody of the verses sounded so forced, many time heard before and such a cheap one; Jagger doing all his tricks he is known since Primitive Cool. The chorus sounded too poppish and easy listening, and I don't need to even mention the lyrical content... But shit, after a few listenings the melody seemed to stick in my mind, started to feel natural and flowing, and the hook of the hahahaa chorus have a sort of magnetism as "Miss You" once had. I can easily understand why this radio-friendly song is going to be the first single. Will it be a hit, that's difficult to say. The quality of the song does not really matter; if the Stones would make "Satisfaction" now, it probably will make #73 at its highest.
After closer hearing, I don't like the comparisions to Brian Adams or Aerosmith I've seen here; namely the song has the rough, signature touch of the Stones: just listen the insecure but ah so human guitar behind Jagger in the first verse - with all its sloppiness it sounds like coming from the cellar. I love that - Well, the solo is perhaps too "clean", and that typical trick of adding keyboard to the mix in the final part of the song, will make it too San Remo or something - typical Jaggerian idea of production ("back to 80's-Goddess-thing"

. Good that they the producers keep their heads cool and not destroyed the song with over-production a'la Goddess.
Over all the nature and the feeling of the song is in fact very old; it goes all the way back to lyricism of Goat's Head Soap (hinted maybe in "Moonlight Mile"

. Perhaps the freshness of "Angie" and "Winter" (listen the lyrics and the goddamn violin background!!!) have long since gone, but the same sentimental - starting from lyrics - are certainly here. And that is something I can not resist.
---
"Rough Justice": First impression was naturally the intro: to make it sound "rough"..hmm... is this sort of over-exaggaration? Okay, I got the point: that's Keef making the message clear that's is The Keith "Mr. Rock&roll-Pirate Richards" here playin' for ya... The sound is a cliche as his publig image. All this is heard so many times before, but once again: who can not resist? Not me at least.
But of the whole song: after few listenings I feel a nice reminscant of the wild weaving years from Some Girls to Tattoo You (or Undercover). The groove and the production just reminds me so much about "Lies", "When The Whip Comes Down", "Summer Romance"... although there are some forced elements and pieces of "Hold On Your Hat" and "You Got Me Rocking" there - you know, that post-Dirty Work stuff that 'rock' but don't 'roll'.. Mostly it has to do with Charlie, but that wild, tasty 'here and there' mixed guitars plus the absolutely brilliant sounding, decadent, nicely shouted chorus just makes it for me - That's 'my' Stones .. only Bill is missing... But certainly not there isn't any single or radio-friendly potentiality here. It's just for us who love the sound of the band as it is (a'la Some Girls, or even, Exile).
A minor remark: I really like the biographical reference to "Little Red Rooster" in its lyrics. That's sort of witty Jaggerism I love (like "used to love to Honky tonk..."

(I listened also "OH No Not You Again" again from Stonesvikings.com this morning, but I will not make any a review before hearing the finished version. But I can say that there are some very good elements there to make it a great cut, it has the needed edge and some nice hooks, even though it's very typical "Highwire" sort of standard Stones rocker, but once again: who cares..)
- Doxa
P.S. If they will include the controversial "Neo-Con" to the album, I think we will have a nice a swang song in our hands soon.
Edited 1 time(s). Last edit at 2005-07-23 13:03 by Doxa.