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DandelionPowderman
Watching the Sway clip, and how Taylor desperately calls for a tech to turn up his amp prior to the solo, was a bit surprising.
We know he has his pedal board, where he can adjust from rhythm sound (amp) to solo sound (his Blues Driver-pedal).
Why isn't his amp- and pedal sound pre-adjusted, so he can just hit the pedal when he's ready to solo?
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71TeleQuote
DandelionPowderman
Watching the Sway clip, and how Taylor desperately calls for a tech to turn up his amp prior to the solo, was a bit surprising.
We know he has his pedal board, where he can adjust from rhythm sound (amp) to solo sound (his Blues Driver-pedal).
Why isn't his amp- and pedal sound pre-adjusted, so he can just hit the pedal when he's ready to solo?
He does this every damn show. I have to say it's rather annoying. How can you always need for things to sound louder? I think it's part of the nervousness on his part.
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His Majesty
He always wants to be louder than the rest of the band.
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71TeleQuote
DandelionPowderman
Watching the Sway clip, and how Taylor desperately calls for a tech to turn up his amp prior to the solo, was a bit surprising.
We know he has his pedal board, where he can adjust from rhythm sound (amp) to solo sound (his Blues Driver-pedal).
Why isn't his amp- and pedal sound pre-adjusted, so he can just hit the pedal when he's ready to solo?
He does this every damn show. I have to say it's rather annoying. How can you always need for things to sound louder? I think it's part of the nervousness on his part.
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71TeleQuote
DandelionPowderman
Watching the Sway clip, and how Taylor desperately calls for a tech to turn up his amp prior to the solo, was a bit surprising.
We know he has his pedal board, where he can adjust from rhythm sound (amp) to solo sound (his Blues Driver-pedal).
Why isn't his amp- and pedal sound pre-adjusted, so he can just hit the pedal when he's ready to solo?
He does this every damn show. I have to say it's rather annoying. How can you always need for things to sound louder? I think it's part of the nervousness on his part.
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WuudyQuote
71TeleQuote
DandelionPowderman
Watching the Sway clip, and how Taylor desperately calls for a tech to turn up his amp prior to the solo, was a bit surprising.
We know he has his pedal board, where he can adjust from rhythm sound (amp) to solo sound (his Blues Driver-pedal).
Why isn't his amp- and pedal sound pre-adjusted, so he can just hit the pedal when he's ready to solo?
He does this every damn show. I have to say it's rather annoying. How can you always need for things to sound louder? I think it's part of the nervousness on his part.
Why do people that are the first to reply always quote the message... It's pretty obvious to what you are replying to...
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Wuudy
Why do people that are the first to reply always quote the message... It's pretty obvious to what you are replying to...
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Mathijs
I wonder if he gets a soundcheck with the Stones...
Mathijs
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rollmops
It's actually something he does for the last 20 years or so, always fiddeling with his amp. With many of his solo shows he doesn't do a soundcheck, and starts adjusting his amp when the show starts. I wonder if he gets a soundcheck with the Stones...
Mathijs
I have noticed that too after going to Mick Taylor's shows and watching videos on the internet. Although it's true that the sound of an empty room vs the sound at showtime varies (What a musician hear on stage isn't the same), it's very wise to do a soundcheck.
I wonder if Taylor practices/warms up backstage before joining the band.
It looks like Keith's tech is taking care of Taylor's equipment.
Rock and roll,
Mops
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WuudyQuote
71TeleQuote
DandelionPowderman
Watching the Sway clip, and how Taylor desperately calls for a tech to turn up his amp prior to the solo, was a bit surprising.
We know he has his pedal board, where he can adjust from rhythm sound (amp) to solo sound (his Blues Driver-pedal).
Why isn't his amp- and pedal sound pre-adjusted, so he can just hit the pedal when he's ready to solo?
He does this every damn show. I have to say it's rather annoying. How can you always need for things to sound louder? I think it's part of the nervousness on his part.
Why do people that are the first to reply always quote the message... It's pretty obvious to what you are replying to...
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Wuudy
Why do people that are the first to reply always quote the message... It's pretty obvious to what you are replying to...
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Phil Good
Who in the band is using that new Magnatone amp in Bjornulfs pic above (Men at Work)?
Billy F Gibbons is using that amp for some months now and it's sounding great. I'm considering to order one from Cliff Cultreri.
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Mel Belli
A few impressions in no particular order:
1) You're supposed to be louder than the rest of the band during a solo.
2) Probably because Mick wants the stage free of anything he might trip on, all guitar effects are run by the techs. You often see Ronnie turn over his right shoulder when he needs more volume for a solo. The only time you'll ever see him engage something with his foot is when he uses a wah pedal.
3) Like 99.9% of guitarists, Mick Taylor uses a stomp box to solo. Keith doesn't use anything; and in my opinion, his bone-dry tone sounds like utter crap when he attempts a lead.
4) Stones guest guitarists (from Angus Young to Keith Urban) are considerlby handicapped by not having their own gear. I don't care *how* good you are; playing straight through an amp is going to cramp your style when it comes time to solo. The only time I ever recall someone being totally in his element and in command was Clapton in Atlantic City, '89.
5) Relying on Pierre to kick on the overdrive is inefficient and suboptimal, at best. If he can't hear himself, or if the "clean" setting is robbing him of the sustain every soloist needs to do their tricks, he's not going to be able to do the things he wants to do. Same as a golfer with a shitty set of clubs or a stockcar driver with Prius. Gear matters.
It wasn't Gary Clark's ? I thought MT was using a vt40Quote
bvQuote
Phil Good
Who in the band is using that new Magnatone amp in Bjornulfs pic above (Men at Work)?
Billy F Gibbons is using that amp for some months now and it's sounding great. I'm considering to order one from Cliff Cultreri.
Mick Taylor of course...
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nankerphlegeIt wasn't Gary Clark's ? I thought MT was using a vt40Quote
bvQuote
Phil Good
Who in the band is using that new Magnatone amp in Bjornulfs pic above (Men at Work)?
Billy F Gibbons is using that amp for some months now and it's sounding great. I'm considering to order one from Cliff Cultreri.
Mick Taylor of course...
Is that Prince on guitar in the background?Quote
bv
This is from Sway in Boston last night. Men at work. Pierre and Mick Taylor.
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DandelionPowdermanQuote
Mel Belli
Good points!
But Keith has always used his volume knob for solos. His rhythm sound is round 7, 5 in volume, and then he cranks it before his solo.
I know. But lately his leads sound like crap, and it's not just the decline in dexterity. I mean they sound like crap. It could be that he doesn't "move enough air" anymore. I don't know when he stopped using the Boogie cabs—at some point they became just for show, and on this tour it's just the two Twins—but listen to Midnight Rambler from '89 here, right about the 6:00 mark:
There's tremendous power and resonance in that tone that's totally lacking these days, quite apart from the playing. If you've ever played live—in a bar, a cafeteria, or a bona fide theater— you'll know exactly what I'm talking about. When the amp is set right, the sound system is professional, and the acoustics of the room are favorable, your guitar can feel so hot and responsive that you hardly need to exert yourself to get your ideas across. When I see Keith, in '89, just casually raking the guitar, and it sounds strong enough to send a shudder through your cavity fillings, I know everything's perfect up there.
Now all three of the guys—Keith, Ronnie, Taylor—have to labor when it comes time to solo. I'm reasonably certain it has something to do with how stripped down their rigs are now.
That's my $0.02. Maybe someone's got a better theory.
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Mel BelliQuote
DandelionPowdermanQuote
Mel Belli
Good points!
But Keith has always used his volume knob for solos. His rhythm sound is round 7, 5 in volume, and then he cranks it before his solo.
I know. But lately his leads sound like crap, and it's not just the decline in dexterity. I mean they sound like crap. It could be that he doesn't "move enough air" anymore. I don't know when he stopped using the Boogie cabs—at some point they became just for show, and on this tour it's just the two Twins—but listen to Midnight Rambler from '89 here, right about the 6:00 mark:
There's tremendous power and resonance in that tone that's totally lacking these days, quite apart from the playing. If you've ever played live—in a bar, a cafeteria, or a bona fide theater— you'll know exactly what I'm talking about. When the amp is set right, the sound system is professional, and the acoustics of the room are favorable, your guitar can feel so hot and responsive that you hardly need to exert yourself to get your ideas across. When I see Keith, in '89, just casually raking the guitar, and it sounds strong enough to send a shudder through your cavity fillings, I know everything's perfect up there.
Now all three of the guys—Keith, Ronnie, Taylor—have to labor when it comes time to solo. I'm reasonably certain it has something to do with how stripped down their rigs are now.
That's my $0.02. Maybe someone's got a better theory.
I know. However, there is something overall trebly with Keith's guitars on this tour. More spikey and less meatey, if you know what I mean...
The power and attack is not completely gone, though. Keith's solo after Jeff Beck's on the first gig of the tour showed some of the old magic, imo.
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DandelionPowderman
I know. However, there is something overall trebly with Keith's guitars on this tour. More spikey and less meatey, if you know what I mean...
The power and attack is not completely gone, though. Keith's solo after Jeff Beck's on the first gig of the tour showed some of the old magic, imo.