For information about how to use this forum please check out forum help and policies.
Quote
kevinkamphuis
There is no "Depth" in the music. It's mastered way to loud. When you are listening with €300 earphones and audiophile ears you know what I mean. Don't get me wrong nothing to do with performance and/or music but only mastering.
The music is pure rock 'n roll!

Quote
kowalski
Quote
dcba
Quote
kevinkamphuis
Unbelievable...
Check the Waveforms from the FLAC version! Brickwalled to death
Why Why?
Play the FLAC files with vlc player (which is free). Open the pre-amp tool of vlc and move the cursor down to whatever figure you find necessary (for me it's minus 7 d. I guarantee this trick will greatly attenuate the hot mastering.
It makes the brickwalled sound less hot but doesn't remove the flatness of the sound.
Quote
dcba
I could name 8 shows from 75 that are hotter than this one but hey it's time for rejoicing not bitching.
You bitch and then you say there's no time for bitching. Great!Quote
dcba
I could name 8 shows from 75 that are hotter than this one but hey it's time for rejoicing not bitching.

Quote
Laughingsam
I think it sounds great. I get a kick out of how people on here use terms like brickwall or compression or limiting as if these processes automatically ruin a recording. It's how these processes are tempered and which frequencies they're applied to that makes or breaks the sound. Assuming they're always bad is remiss and ignores what is often an essential part of the mastering process. This release sounds just right to me and I hope they continue to master the concerts in this vein.
Quote
GumbootCloggeroo
You bitch and then you say there's no time for bitching. Great!Quote
dcba
I could name 8 shows from 75 that are hotter than this one but hey it's time for rejoicing not bitching.

Quote
kowalski
For example try to compare Sympathy For The Devil from LA 75 to the version on Love You Live. Percussions are clearly audible on LYL while on LA 75 they are barely discernable.
Quote
kowalski
Problem here is the sound is just flat. There's no depth, no contrast, everything is put upfront. It's mastered this way so that music sounds as loud as possible. On my mp3 player with little earbuds it quite enjoyable, especially in a noisy environment. But when it comes to listen to it on a hi fi audio system, to me it sounds just messy. For example try to compare Sympathy For The Devil from LA 75 to the version on Love You Live. Percussions are clearly audible on LYL while on LA 75 they are barely discernable.
Quote
Mathijs
Quote
kowalski
For example try to compare Sympathy For The Devil from LA 75 to the version on Love You Live. Percussions are clearly audible on LYL while on LA 75 they are barely discernable.
That's because the Stones wanted us to hear Ollie Brown in '77, and Clearmountain hasn't got a clue about Ollie. Same with the solo Wood does on YCAGWYW -it used to be full of delay, echoing around the LA Forum. Clearmounting doesn't have a clue how it used to sound.
But it is not a matter of bad mastering, it is simply a matter of choice and preference of the guy whom did the mixing and mastering.
Mathijs
Quote
kowalski
They can't "kick out" because they have compressed so much the sound.
Quote
Slick
flacs just went up on usenet, downloading now yessssssssssssss
Quote
LieB
...
So now they got the best "Ronnie tours" covered pretty well -- it's about time they make a proper '72 live album!!! (I will be disappointed if none of these six archive releases are from that tour.)


Quote
Honestman
Quote
LieB
...
So now they got the best "Ronnie tours" covered pretty well -- it's about time they make a proper '72 live album!!! (I will be disappointed if none of these six archive releases are from that tour.)
Here's my wishes
One 1967 show
El Mocambo 77
One 1970 show
El Mocambo 77
One 1971 show
El Mocambo 77
One 1972 show
El Mocambo 77
One 1982 show
El Mocambo 77
In this list , you could see , which one I want for the next release

Quote
Ross
For me this is great because,due to the lack of Soundboard recordings, I just never listened to the TOTA '75 stuff much. This tour is obviously so much better than I ever gave it credit.
Yes, Jagger is obviously wasted. He really flubs a lot of lines...but his singing is pretty good (maybe a little too much growling at times) and the drunken delivery is something that makes this show unique. He is kind of weird but kind of funny.
Good raunchy quality to the whole show. Ronnie is playing more in the MT style than the style he developed later on...and that is great! He isn't as fluid as Mr. Taylor, but he is really nailing it. I remember sitting in Liberty Bowl Stadium in Memphis the week before this show (July 4, actually) and being blown away by Ronnie to the point of thinking that they wouldn't miss MT at all! Then after hearing LYL I thought maybe the "herbs" had gotten to me a little.
This is a real triumph for Ronnie. The best I have heard him play as a Stone (insert IMHO disclaimer here). The rest of the band is firing on all cylinders, just running off the road every now and then! Great "warts and all" presentation!
This was the perfect release for me, I am completely rediscovering '75!
Ross
Quote
Laughingsam
Quote
kowalski
They can't "kick out" because they have compressed so much the sound.
You're right. Compression works well on mid-range frequencies. It can make guitars sound more cutting or thicker, but it should be applied strategically and here they mucked up the drums a bit. They did the same thing on the Brussels release, but they got a lot of stuff right with both mixes. Everything's a tradeoff when mastering and I like the finished product even though it's not perfect.
Quote
kowalski
Quote
Laughingsam
Quote
kowalski
They can't "kick out" because they have compressed so much the sound.
You're right. Compression works well on mid-range frequencies. It can make guitars sound more cutting or thicker, but it should be applied strategically and here they mucked up the drums a bit. They did the same thing on the Brussels release, but they got a lot of stuff right with both mixes. Everything's a tradeoff when mastering and I like the finished product even though it's not perfect.
They got many things right : clear sound and good balance between instruments for instance. But I guess this is due to Bob Clearmountain's magic. Just I wish they keep dynamics safe and don't make everything sounds flat when releasing it to the public (or the fans as a matter of fact).
Quote
Ross
For me this is great because,due to the lack of Soundboard recordings, I just never listened to the TOTA '75 stuff much. This tour is obviously so much better than I ever gave it credit.
Yes, Jagger is obviously wasted. He really flubs a lot of lines...but his singing is pretty good (maybe a little too much growling at times) and the drunken delivery is something that makes this show unique. He is kind of weird but kind of funny.
Good raunchy quality to the whole show. Ronnie is playing more in the MT style than the style he developed later on...and that is great! He isn't as fluid as Mr. Taylor, but he is really nailing it. I remember sitting in Liberty Bowl Stadium in Memphis the week before this show (July 4, actually) and being blown away by Ronnie to the point of thinking that they wouldn't miss MT at all! Then after hearing LYL I thought maybe the "herbs" had gotten to me a little.
This is a real triumph for Ronnie. The best I have heard him play as a Stone (insert IMHO disclaimer here). The rest of the band is firing on all cylinders, just running off the road every now and then! Great "warts and all" presentation!
This was the perfect release for me, I am completely rediscovering '75!
Ross

Quote
Ross
Yes, Jagger is obviously wasted. He really flubs a lot of lines...
Quote
shadooby
Any back/inlay cd artwork yet. Whoever did Brussels and Hampton did a fine job...you out there?
Quote
shadooby
Any back/inlay cd artwork yet. Whoever did Brussels and Hampton did a fine job...you out there?

