Re: The Rolling Stones and Philosophy: it's Just a Thought Away (Popular Culture and Philosophy) (Book)
Posted by:
GetYerAngie
()
Date: February 7, 2012 20:56
A costumer reviewed the book on amazon.com. He was not impressed it seems:
0 of 2 people found the following review helpful:
2.0 out of 5 stars NO Sympathy From THIS Devil, `cuz He Didn't Get Much Philosophical Sat-Is-FAC-TION! Woo hoo! Woo hoo! WOOO HOOO!, 24 Jan 2012
By John V. Karavitis - Published on Amazon.com
This review is from: The Rolling Stones and Philosophy: it's Just a Thought Away (Popular Culture and Philosophy) (Paperback)
Hey there everybody! Please allow me to introduce myself! I'm a man of literary taste, who's "been around" for far too many long years. I was around when Socrates drank his last, said the draught would be for naught. But I made sure it all went down, and then washed BOTH my hands AND the cup.
Now I'm around as pop culture crashes into philosophy, it gives me moments of going insane! I read all these essays, and wonder how I can handle all the terrible terrible pain! Oooooohhhhh yeah!
Seriously! Pleased to meet you! By now you've guessed my name, yeah? Ahhh, I'm a-puzz-a-ling you! But that's just how I plays mah game, ooohhhhh YEAH! Come on, baby! What's mah name?
(The Rolling Stones' "Sympathy for the Devil" is on loop as I write this. Take that into consideration. No, I didn't forget to take my meds. Yummy yummy meds! But thanks for asking! )
I wondered how one would find philosophical issues in a subject like The Stones. So with some trepidation, I approached this collection of essays. I should have known better. This entry in Open Court's "Popular Culture and Philosophy" series stays true to form: it is severely deficient in philosophy, pregnant with political and social commentary and weak, meandering, rambling, ponderous and unimaginative prose. The attention and affection and adulation lavished on The Stones in many of these essays borders on the pornographic. Many of the essays tried to be hip and cool, most annoyingly when they included lines from The Stones' songs in the prose. Also disappointing was the use of foul language and severe sexual innuendo, more than likely, again, in an attempt to be hip and cool. A handful of the essays toward the end (chps. 18 - 21) focus on applying the same philosopher (St. Augustine of Hippo) to The Rolling Stones. Why include all of them? To add insult to injury, typographical errors abound. I mean, seriously, with all the college graduates with English degrees un-and-underemployed, working as baristas at Starbucks, can you not afford to hire ONE of them as a proofreader? I used to keep track of the typos, I don't bother anymore.
Co-editor George A. Reisch begins with a preface that positively GUSHES about The Stones. His first essay, "From Main Street to Guyville", tries to apply hermeneutics to Liz Phair's (?!?) album "Exile in Guyville", comparing it to The Stones' album "Exile To Main Street". The essay was extremely long, overly-detailed, boring and more focused on Liz Phair than on The Stones.
Co-editor Luke Dick's first essay, "You Can't Get What You Want", was horrifically bad. His second essay, though, "Keef for President", was surprisingly creative. It wove Plato's "Republic" into the hypothetical of Keith Richards running for President. This essay had "soul", and stuck to the mandate of "popular culture AND PHILOSOPHY". Not a great essay, but creative and a good effort.
The very first essay, by Randall E. Auxier, "The Glimmer Twins", displays a level of adulation and self-flagellation over The Stones as to be jaw-dropping. In addition, I do not feel that the use of foul language is needed. Mr. Auxier's second essay, "When the Whip Comes Down", was a catastrophic attempt at being hip and cool, for far far too many pages. Also, the use of sexual innuendo fell flat. As in: IT FAILED. His THIRD (?!?) essay, "Frenzy", was a frenzied attempt at throwing everything , including the kitchen sink, into yet another essay that went nowhere.
In my opinion, the following chapters were, for reasons stated here and before, not worthy: 1, 2, 3, 7, 9, 10, 11, 12, 13, 15, 16, 20, 21, 22. And there are 22 essays in all. Do the math.
Were any of the essays good? Actually the rest were either quite good or even excellent. Ruth Tallman's "Epicurean Satisfaction" identified the theme of what kind of morality The Stones have. That is, are The Stones moral, immoral, or amoral? Tallman focuses on two schools of hedonism, and deftly weaves the philosophy with the identified theme. It made me THINK about what The Stones were all about. It's always a pleasure to read an essay by Ruth Tallman. This woman can WRITE. Richard Berger's "How Mick Learned to Love the Devil" was also excellent, actually, almost "tallmanesque" in its adroit weaving of theme with philosophy. Berger focuses on the issues of evil, freedom, and responsibility, and takes us on a journey all the way from St. Augustine of Hippo to Russian author Mikhail Bulgakov to Mick Jagger. Berger makes it work, and the journey was fun.
And there you have it. So if you've read all this, have some courtesy, have some sympathy, take some time, use all your common sense, this book's laid my soul to waste. Pleased to meet you! You DID guess my name, did you not? I'm not still a-puzz-ling you, am I? Woo hoo! Woo hoo! John V. Karavitis